Popular Fiction - Native American Heritage Month
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The Mighty Red
In Argus, North Dakota, a collection of people revolve around a fraught wedding.
Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can't read her future but seems to resolve his.
Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He's determined to steal her and is eager to be a home wrecker.
Kismet's mother, Crystal, hauls sugar beets for Gary's family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter's and her own.
Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.
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Blood Sisters
As an archeologist for the Bureau of Indian Affairs, Syd Walker spends her days in Rhode Island trying to protect the land's indigenous past, even as she’s escaping her own. While Syd is dedicated to her job, she’s haunted by a night of violence she barely escaped in her Oklahoma hometown fifteen years ago. Though she swore she’d never go back, the past comes calling.
When a skull is found near the crime scene of her youth, just as her sister, Emma Lou, vanishes, Syd knows she must return home. She refuses to let her sister's disappearance, or the remains, go ignored—as so often happens in cases of missing Native women. But not everyone is glad to have Syd home, and she can feel the crosshairs on her. Still, the deeper Syd digs, the more she uncovers about a string of missing indigenous women cases going back decades. To save her sister, she must expose a darkness in the town that no one wants to face—not even Syd.
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The Truth According to Ember
Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).
Accountant Ember thrives in corporate life—and her love life seems to be looking up as well: Danuwoa Colson, the IT guy and fellow Native who caught her eye on her first day, seems to actually be interested in her too. Despite her unease over the no-dating policy at work, they start to see each other secretly, which somehow makes it even hotter? But when they're caught in a compromising position on a work trip, a scheming colleague blackmails Ember, threatening to expose their relationship. As the manipulation continues to grow, so do Ember’s lies. She must make the hard decision to either stay silent or finally tell the truth, which could cost her everything.
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Indian Burial Ground
All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down.
But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.
After over a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets, horror, and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to wonder whether it might be best for some secrets to remain buried.
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Bad Cree
When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears.
Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too - a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina - Mackenzie knows this is more than she can handle alone.
Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams - and make them more dangerous. What really happened that night at the lake, and what did it have to do with Sabrina’s death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?
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And Then She Fell
On the surface, Alice is exactly where she thinks she should be: She’s just given birth to a beautiful baby girl, Dawn; her charming husband, Steve - a white academic whose area of study is conveniently her own Mohawk culture - is nothing but supportive; and they’ve moved into a new home in a posh Toronto neighborhood. But Alice could not feel like more of an impostor. She isn’t connecting with her daughter, a struggle made even more difficult by the recent loss of her own mother, and every waking moment is spent hiding her despair from Steve and their ever-watchful neighbors, among whom she’s the sole Indigenous resident. Even when she does have a minute to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story.
Then, as if all that wasn’t enough, strange things start to happen. She finds herself losing bits of time and hearing voices she can’t explain, all while her neighbors’ passive-aggressive behavior begins to morph into something far more threatening. Though Steve assures her this is all in her head, Alice cannot fight the feeling that something is very, very wrong, and that in her creation story lies the key to her and Dawn’s survival.... She just has to finish it before it’s too late.
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The Seed Keeper
Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakhóta people. Until, one morning, Ray doesn't return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato - where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they've inherited.
On a winter's day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband's farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong. In the process, she learns what it means to be descended from women with souls of iron - women who have protected their families, their traditions, and a precious cache of seeds through generations of hardship and loss, through war and the insidious trauma of boarding schools.
Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.
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There There
As we learn the reasons that each person is attending the Big Oakland Powwow - some generous, some fearful, some joyful, some violent - momentum builds toward a shocking yet inevitable conclusion that changes everything. Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame. Dene Oxendene is pulling his life back together after his uncle’s death and has come to work at the powwow to honor his uncle’s memory. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil, who has taught himself traditional Indian dance through YouTube videos and will perform in public for the very first time. There will be glorious communion, and a spectacle of sacred tradition and pageantry. And there will be sacrifice, and heroism, and loss.
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My Heart Is a Chainsaw
Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.
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Fevered Star
The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent.
The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded? As sea captain Xiala is swept up in the chaos and currents of change, she finds an unexpected ally in the former Priest of Knives. For the Clan Matriarchs of Tova, tense alliances form as far-flung enemies gather and the war in the heavens is reflected upon the earth. And for Serapio and Naranpa the struggle for free will and personhood in the face of destiny rages. How will Serapio stay human when he is steeped in prophecy and surrounded by those who desire only his power? Is there a future for Naranpa in a transformed Tova without her total destruction?
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The Night Watchman
Thomas Wazhashk is the night watchman at the jewel bearing plant, the first factory located near the Turtle Mountain Reservation in rural North Dakota. He is also a Chippewa Council member who is trying to understand the consequences of a new "emancipation" bill on its way to the floor of the United States Congress. It is 1953 and he and the other council members know the bill isn't about freedom; Congress is fed up with Indians. The bill is a "termination" that threatens the rights of Native Americans to their land and their very identity.
Since graduating high school, Pixie Paranteau has insisted that everyone call her Patrice. Unlike most of the girls on the reservation, Patrice, the class valedictorian, has no desire to wear herself down with a husband and kids. She makes jewel bearings at the plant, a job that barely pays her enough to support her mother and brother. But Patrice also needs every penny to follow her beloved older sister, Vera, who moved to the big city of Minneapolis and may have disappeared. Determined to find Vera and her child, Patrice makes a fateful trip to Minnesota that introduces her to unexpected forms of exploitation and violence, and endangers her life.
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Crooked Hallelujah
It's 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women presided over by her mother, Lula, and Granny. After Justine's father abandoned the family, Lula became a devout member of the Holiness Church - a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter until an act of violence sends her on a different path forever.
This novel tells the stories of Justine - a mixed-blood Cherokee woman - and her daughter, Reney, as they move from Eastern Oklahoma's Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn't easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world - of unreliable men and near-Biblical natural forces, like wildfires and tornados - intent on stripping away their connections to one another and their very ideas of home.
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The Removed
In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family's annual bonfire approaching - an occasion marking both the Cherokee National Holiday and Ray-Ray's death, and a rare moment in which they openly talk about his memory - Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world.
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When Two Feathers Fell from the Sky
Two Feathers, a young Cherokee horse-diver on loan to Glendale Park Zoo from a Wild West show, is determined to find her own way in the world. Two's closest friend at Glendale is Hank Crawford, who loves horses almost as much as she does. He is part of a high-achieving, land-owning Black family. Neither Two nor Hank fit easily into the highly segregated society of 1920s Nashville. When disaster strikes during one of Two's shows, strange things start to happen at the park. To get to the bottom of it, an eclectic cast of park performers, employees, and even the wealthy stakeholders, must come together.
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Betty
“A girl comes of age against the knife.”
So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a white mother and a Cherokee father, Betty is the sixth of eight siblings. The world they inhabit in the rural town of Breathed, Ohio, is one of poverty and violence - both from outside the family and, devastatingly, from within. But despite the hardships she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters, and her father’s brilliant stories are kindling for the fire of her own imagination, and in the face of all to which she bears witness, Betty discovers an escape: she begins to write.
Popular Nonfiction - Native American Heritage Month
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Poukahangatus
In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies - Greek, Māori, feminist, kiwi - peeling them apart, respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies, and Twilight to exquisite renderings of the natural world and precise emotions (“The lump in her throat swelled like a sea that threatened to take him from her, and she had to swallow hard”). Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics correlate to the overflowing beauty, irony, and ruination of her surroundings.
These are warm, provocative, and profoundly original poems, written by a woman for whom diving into the wreck means taking on new assumptions - namely, that it is not radical to write from a world in which the effects of colonization, land, work, and gender are obviously connected. Along the way, Tibble scrutinizes perception and how she as a Māori woman fits into trends, stereotypes, and popular culture. With language that is at once colorful, passionate, and laugh-out-loud funny, Poūkahangatus is the work of one of our most daring new poets.
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Canyon Dreams
Deep in the heart of northern Arizona, in a small and isolated patch of the vast 17.5-million-acre Navajo reservation, sits Chinle High School. Here, basketball is passion, passed from grandparent to parent to child. Rez Ball is a sport for winters where dark and cold descend fast and there is little else to do but roam mesa tops, work, and wonder what the future holds. The town has 4,500 residents and the high school arena seats 7,000. Fans drive thirty, fifty, even eighty miles to see the fast-paced and highly competitive matchups that are more than just games to players and fans.
Celebrated Times journalist Michael Powell brings us a narrative of triumph and hardship, a moving story about a basketball team on a Navajo reservation that shows how important sports can be to youths in struggling communities, and the transcendent magic and painful realities that confront Native Americans living on reservations. This book details his season-long immersion in the team, town, and culture, in which there were exhilarating wins, crushing losses, and conversations on long bus rides across the desert about dreams of leaving home and the fear of the same.
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An Afro-Indigenous History of the United States
Beginning with pre-Revolutionary America and moving into the movement for Black lives and contemporary Indigenous activism, Afro-Indigenous historian Kyle T. Mays argues that the foundations of the US are rooted in antiblackness and settler colonialism, and that these parallel oppressions continue into the present. He explores how Black and Indigenous peoples have always resisted and struggled for freedom, sometimes together, and sometimes apart. Whether to end African enslavement and Indigenous removal or eradicate capitalism and colonialism, Mays show how the fervor of Black and Indigenous peoples calls for justice have consistently sought to uproot white supremacy.
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We Refuse to Forget
In We Refuse to Forget, award-winning journalist Caleb Gayle tells the extraordinary story of the Creek Nation, a Native tribe that two centuries ago both owned slaves and accepted Black people as full citizens. Thanks to the efforts of Creek leaders like Cow Tom, a Black Creek citizen who rose to become chief, the U.S. government recognized Creek citizenship in 1866 for its Black members. Yet this equality was shredded in the 1970s when tribal leaders revoked the citizenship of Black Creeks, even those who could trace their history back generations - even to Cow Tom himself.
Why did this happen? How was the U.S. government involved? And what are Cow Tom’s descendants and other Black Creeks doing to regain their citizenship? These are some of the questions that Gayle explores in this provocative examination of racial and ethnic identity. By delving into the history and interviewing Black Creeks who are fighting to have their citizenship reinstated, he lays bare the racism and greed at the heart of this story. We Refuse to Forget is an eye-opening account that challenges our preconceptions of identity as it shines new light on the long shadows of white supremacy and marginalization that continue to hamper progress for Black Americans.
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A Mind Spread Out on the Ground
The Mohawk phrase for depression can be roughly translated to "a mind spread out on the ground." In this urgent and visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of personal, intergenerational, and colonial traumas she and so many Native people have experienced.
Elliott's deeply personal writing details a life spent between Indigenous and white communities, a divide reflected in her own family, and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation. Throughout, she makes thrilling connections both large and small between the past and present, the personal and political.
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Notable Native People
Celebrate the lives, stories, and contributions of Indigenous artists, activists, scientists, athletes, and other changemakers in this beautifully illustrated collection. From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis - the first Black and Native American female artist to achieve international fame - to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.
This powerful and informative collection also offers accessible primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more. An indispensable read for people of all backgrounds seeking to learn about Native American heritage, histories, and cultures, Notable Native People will educate and inspire readers of all ages.
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The Heartbeat of Wounded Knee
The received idea of Native American history - as promulgated by books like Dee Brown's mega-bestselling 1970 Bury My Heart at Wounded Knee - has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U.S. Cavalry, the sense was, but Native civilization did as well.
Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear - and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence - the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention.
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Poet Warrior
Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice.
Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth - owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member.
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Life of Black Hawk
Westward expansion of the American frontier was not without its attendant tragedies - many of which involved injustices committed against Native Americans. One such tragedy took place in the early nineteenth century, when the Sauk and Fox Indians, led by a dynamic tribal chieftain named Black Hawk (1767-1838), resisted the establishment of white settlements in Indian territory in western Illinois. The Indians were slaughtered in the resulting brief but violent conflict now known as the Black Hawk War.
In the late summer of 1833, following his release from federal prison where he had been held for waging war against the U.S. government, Black Hawk expressed a desire to have his life’s history written and published, so that “the people of the United States might know the causes that had impelled him to act as he had done, and the principles by which he was governed.” The result was the unique document reprinted in this volume - the autobiography of Black Hawk dictated by himself to a U.S. interpreter for the Sauk and Fox Indians.
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We Had a Little Real Estate Problem
It was one of the most reliable jokes in Charlie Hill’s stand-up routine: “My people are from Wisconsin. We used to be from New York. We had a little real estate problem.”
In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy’s most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as “if a Guantanamo detainee suddenly had to appear on X-Factor.”) This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show.
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The Inconvenient Indian
In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian–White relations in North America since initial contact. Ranging freely across the centuries and the Canada–U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands.
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Everything You Wanted to Know about Indians But Were Afraid to Ask
From the acclaimed Ojibwe author and professor Anton Treuer comes an essential book of questions and answers for Native and non-Native young readers alike. Ranging from "Why is there such a fuss about nonnative people wearing Indian costumes for Halloween?" to "Why is it called a 'traditional Indian fry bread taco'?" to "What's it like for natives who don't look native?" to "Why are Indians so often imagined rather than understood?," and beyond, Everything You Wanted to Know About Indians But Were Afraid to Ask does exactly what its title says in a style consistently thoughtful, personal, and engaging.
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Walking the Trail
One fall morning Jerry Ellis donned a backpack and began a long, lonely walk: retracing the Cherokee Trail of Tears, the nine hundred miles his ancestors had walked in 1838. The trail was the agonizing path of exile the Cherokees had been forced to take when they were torn from their southeastern homeland and relocated to Indian Territory. Following in their footsteps, Ellis traveled through small southern towns, along winding roads, and amid quiet forests, encountering a memorable array of people who live along the trail today. Along the way he also came to glimpse the pain his ancestors endured and to learn about the true beauty of modern rural life and the worth of a man's character.
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Rez Life
With authoritative research and reportage, David Treuer illuminates misunderstood contemporary issues of sovereignty, treaty rights, and natural-resource conservation. He traces the waves of public policy that have disenfranchised and exploited Native Americans, exposing the tension that has marked the historical relationship between the United States government and the Native American population. Through the eyes of students, teachers, government administrators, lawyers, and tribal court judges, he shows how casinos, tribal government, and the Bureau of Indian Affairs have transformed the landscape of Native American life.
A member of the Ojibwe of northern Minnesota, Treuer grew up on Leech Lake Reservation, but was educated in mainstream America. Exploring crime and poverty, casinos and wealth, and the preservation of native language and culture, Rez Life is a strikingly original work of history and reportage, a must read for anyone interested in the Native American story.
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Hearts of Our People
Hearts of Our People: Native Women Artists explores the artistic achievements of Native women and establishes their rightful place in the art world. This landmark book includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases artists from more than seventy-five Indigenous tribes to reveal the ingenuity and innovation that have always been foundational to the art of Native women. Women have long been the creative force behind Native art. Their triumphs - from pottery, textiles, and painting, to photographic portraits, to a gleaming El Camino - show astonishing innovation and technical mastery.